The rear outputs now also ramp up the volume when either switching between front and back manually (explained below), or when removing a phones plug. Phones 3/4 still is the standard phones output with its own settings and an independent source selector to play back any source available, and should be used until there is a good reason to use the PH 1/2 output. So far this kind of functionality required to use Phones Out 3/4. Using the ADI-2 Pro it will be fully intuitive and logical to have EQs, Bass/Treble/Loudness, Crossfeed On or Off, and other settings differently for your speakers connected to the back and your phones connected to the front. As an example, this is very useful when one is forced to use PH 1/2 as phones output, because PH 3/4 is used as Line out for an effects loop with the analog inputs.ĭon't be afraid - this is not complicated. TRS 1/2 is set to ON (SETUP / Options / Device Mode). Activation takes place automatically when Mute v. When using front and rear independently/separately this scheme offers individual settings for front and rear outs 1/2. Note that different settings are not possible if both front and rear outputs 1/2 are used at the same time - for such a scenario Phones Out 3/4 exists. Although front and rear output use the same DAC with the same audio signal, they can now have totally different settings, like EQ, Crossfeed, volume etc. The internal structure has been completely reworked to provide individual settings for both outputs. Separated settings memories for Main Output 1/2 and Phones Output 1/2. Additionally the freed resources allowed for several new functions, all described below, which are controlled and steered by the DSP. Requested from several users to be able to use 3 bands in bass room correction). That allowed us to activate the full frequency range for the third EQ band, which can now operate down to 20 Hz (before 150 Hz. DSP code optimization: rewriting and restructuring parts of the DSP code lowered resource usage. Added buffer size check and correction to make Class Compliant mode immune against such errors. The Class Compliant hardware issued a mixer parameter (volume) that was invalid (this error did not cause any issues. On a side note: the updated Windows driver 0.9610 fixes DSD recording via DoP and ASIO native with the Windows program VinylStudio. Kiyoshi Ishii from Korg Japan, and Paul Sanders (author of VinylStudio) for their help in identifying the problems. Noboru Murakami (author of Sound It), Mr. We would like to thank our japanese distributor Synthax Japan, Mr. Fixed least significant bit error in the input channel 2 (analog right) that caused problems with DSD recording on Mac OS X (maybe also on Linux). Here is the place to explain the news in more detail. Updated manuals German/English are already available from RME's website, and the firmware includes a (shortened) readme text with all changes. The list of new features, changes, and extensions is long. With this firmware release the RME team adds even more exciting and unique features that turn the ADI-2 Pro into a reference of its own. So far the ADI-2 Pro has been a major blast in countless rave reviews, culminating in the statement 'all it lacks is competition'. RME is proud to release a major firmware update for the ADI-2 Pro and AE (Anniversary Edition), which extends its functionality, usability and operation beyond expectation. Topic: ADI-2 Pro Major Firmware Update 141 DSP 76 Great new firmwareupdate with some fine gasm-tricks
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